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Exhibits & Events

Featured Exhibit and Events

Cartographies of Loss

Cartographies of Loss: Parallel Cities
Monica Arreola and Jackie Castillo

Exhibit on view March 23 – April 25, 2026
Reception: Wednesday, March 25 , 4 – 7 pm
Artist Talk w/ Jackie Castillo and Reception: Saturday, April 25, 4 – 7 pm
Talk will start at 4:30 pm.

FREE AND OPEN TO THE PUBLIC.
Free Parking during receptions in Lot # 1. Park in STAFF spaces ONLY

Gallery Hours: Monday through Thursday, 12 – 5 pm, or by appointment.
Closed Fridays, weekends and on Monday, February 16, 2026.

The photo-based and sculptural works in the exhibition Cartographies of Loss: Parallel Cities, examine the history of urban development in Southern California. Working in Los Angeles, Jackie Castillo investigates the relationships between city infrastructure, collective memory and the isolation and anxiety felt by the working class. She documents architectural remnants that reveal the ways that place, labor, memories, and identity become fractured over time. Mónica Arreola approaches similar concerns from the perspective of her hometown, Tijuana. Trained as an architect, she photographs urban developments abandoned mid-construction, revealing the effects of the 2008 United States housing market crash and the financial crisis that reverberated across the border. We invite you to view this exhibition and join us for a reception on Wednesday, March 25, 4 – 7 pm. Meet the artists and enjoy refreshments. There will be a talk with artist Jackie Castillo on Saturday, April 25 at 4:30 pm. 

Southern California’s urban landscape is constantly in flux with neighborhoods experiencing gentrification or loss due to the build-out of infrastructure. Jackie Castillo reflects on the physical transformation of Los Angeles, on the lack of affordable housing, and the effects it has on its communities. In her sculpture, Turning No°3, a picture of ruined domestic tracts is transferred onto a mound of concrete wall caps. The low-to-the-ground structure resembles at once, building debris, a modernist roofline, or a foundation. 

Raised in Santa Ana, California, to parents who immigrated from Guadalajara, Castillo’s research has largely focused on the history of land development in Southern California since the late 19th century and its vast, yet violent relationship with the cultural and material landscapes that have existed in this region for hundreds of years. The artist’s physical act of assembling the modular structure emphasizes the labor involved in creating the buildings we inhabit. Jackie Castillo explains: “The lack of mortar and the gesture of stacking, challenges the viewer to reimagine a structure that could be. Turning is a clarion call to the need for housing through its lack.” Additional mounted photographs document rebar towers or “castillos” made by her grandfather on his roof and a facade of a Los Angeles apartment adorned with decorative wrought-iron fencing and a pillar made from rebar suggesting a building in progress.

The photographs, video and artist book by Mónica Arreola featured in the exhibit are inspired by documentation of the Valle San Pedro, a district in Tijuana. While working for the government, Arreola developed a database on Tijuana housing, and between 2018 and 2020 she photographed developments abandoned mid-construction —ruins in the making. She was interested in categorizing and generating a building typology rather than in aestheticizing these sites. The works became an archive of an economic collapse that transcended borders. ​“The landscape of Tijuana,” Arreola has explained, “is always changing and changing quickly. These photographs are documents of a specific period, something that has passed, like the contents of a family photo album or a personal archive.”

Exploring other ways of capturing history, Arreola has also created a musical instrument out of wood and copper that the artist uses to generate sound in order to activate a process of remembering. The form evokes the structural pillars used in construction. The sound has been collected from commercials and newscasts. The distorted audios, voices and melodies are a way to both record but also question the way that narratives are created, remembered but also distorted. 

Mónica Arreola holds a Master’s in Modern and Contemporary Art and a degree in curatorial studies at Casa Lamm Center for Culture. She is co-director of 206 Arte Contemporáneo. She was a member of the National System of Art Creators (2022–2025). She was included in Future Holds Something for Us by Latinismo (Latin American Art) in New York, USA (2025), and the National Experimental Video Contest in Mexico (2024). She participated in the Border Biennial (2024) and GUT_BRAIN 1: Destructive Desires and Other Destinies of Excess, University of Toronto Mississauga (2023). Her work was in the Whitney Biennial 2022: Quiet as It’s Kept and Rivers and Mountains at Oolong Gallery (2022). She has received multiple grants and awards. Her work is in collections of Centro Cultural Tijuana, Museum of Contemporary Art San Diego, Elías + Fontes Collection, Fundación Colección Kunsthaus AC, and the Richard and Carole Cocks Art Museum at Miami University, among others.

Jackie Castillo is a Los-Angeles based artist and educator. Her work has been recently exhibited at the Institute of Contemporary Art, Los Angeles (2005), Various Small Fires, Los Angeles (2024); As-is Gallery, Los Angeles (2024); California Museum, Sacramento (2023); Long Beach Museum of Art (2023); The Mistake Room, Los Angeles (2023); UCLA Broad Art Center, Los Angeles (2022); Charlie James Gallery, Los Angeles (2022); Mexican Center for Culture and Cinematic Arts, Los Angeles, CA (2021); Park View/Paul Soto Gallery, Los Angeles (2020); and the Material Art Fair in Mexico City, MX (2022). In 2023, Castillo’s work was acquired by the Los Angeles County Museum of Art. She was also awarded the 2021 Individual Artist Fellowship by the California Arts Council.

Future Exhibits

 

Past Exhibits

Unless otherwise noted, all exhibits are curated by Alessandra Moctezuma, Gallery Director and Museum Studies Professor. Available details are listed on this page or via the Mesa College Art Gallery Facebook Events page.

The Mesa College Art Gallery is an educational forum to present the work of professional artists in a range of media and dealing with diverse issues. During the academic year, four exhibits feature art by emerging and established contemporary artists. 

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